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My recent body of work explores familial relationships, domestic space, location, the senses, and the abstract nature of memory as it dilutes through time. I view the physicality of my process in printmaking as a method of conversation. This layering allows me to translate, redact, and deconstruct dialogue into gestural imagery and color, which I often literally separate into smaller pieces. Through these techniques, I re-envision memories, blurring the line between concrete, mundane and intangible. My home, often featured abstractly in this work, is a literal container for these images, both public and private

My process revolves around the notion of developing a sense of ‘public privacy’. I accomplish this through the physical printing process, which involves overlayering and obscuring the underlying information. My approach allows for the information to be given a physical space while also challenging its comprehension. My concept takes inspiration from the architectural structure of my home, as well as the topography and land. These fundamentals serve as a foundation for building and layering imagery and textures. Through an additive method akin to redaction, the original and literal imagery is transformed into a distorted representation.

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PRINT

STRAIN+ABSTRACTION

themes of family, home, and memory. Through layering and deconstruction, they blur the lines between concrete and abstract, inviting contemplation of personal space and relationships.

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ZINES

SMALL CURIOSITIES

\blends of art and storytelling, exploring themes like waste, human connections, and community.

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MAIL

ART IN TRANSPORT

the transportation of artwork through mail delivery systems, and reflects on the intersection of art, communication, and transportation

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