My recent body of work explores familial relationships, domestic space, location, the senses, and the abstract nature of memory as it dilutes through time. I view the physicality of my process in printmaking as a method of conversation. This layering allows me to translate, redact, and deconstruct dialogue into gestural imagery and color, which I often literally separate into smaller pieces. Through these techniques, I re-envision memories, blurring the line between concrete, mundane and intangible. My home, often featured abstractly in this work, is a literal container for these images, both public and private
My process revolves around the notion of developing a sense of ‘public privacy’. I accomplish this through the physical printing process, which involves overlayering and obscuring the underlying information. My approach allows for the information to be given a physical space while also challenging its comprehension. My concept takes inspiration from the architectural structure of my home, as well as the topography and land. These fundamentals serve as a foundation for building and layering imagery and textures. Through an additive method akin to redaction, the original and literal imagery is transformed into a distorted representation.
